St Matthew Passion from St Thomas Leipzig Live on TV Aquaria85 wrote (April 9, 2012): Friday Night the St Matthew Passion of Bach was recorded for TV from Leipzig with its famous St Thomas Choir, who celebrate its 800th birthday this year. The list of recordings was compiled by Aryeh Oron (December 2000 - June 2016) Thanks to contributors: Wayne Davies (August 2006), Willem van Erk (June 2006, December 2006, February 2009), Gert den Hartogh (August 2006), Jos Hoogenbosch, Riccardo Nughes (September 2001, June 2003), Philip Peters, Alejandro Ramirez.
Movements/SectionsMov'ts/Sec's
2 parts in 68 numbers (numbering varies according to edition)
Composition Year
1727, rev. 1729
Genre Categories
Sacred oratorios; Oratorios; Religious works; Passions; For 9 voices, 2 mixed choruses, 2 orchestras; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the orchestra; For voices and chorus with orchestra; German language
Johann Christoph Farlau (ca.1735-after 1770) Johann Friedrich Agricola (1720-1774) (Libretto)
Publisher. Info.
Manuscript, n.d.(ca.1760).
Copyright
Misc. Notes
Staatsbibliothek zu Berlin (D-B), Amalien-Bibliothek: Am.B 6 Staatsbibliothek zu Berlin (D-B), Amalien-Bibliothek: Am.B 7
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Selections
Chorale: Jesum lass ich nicht von mir (Part I, Final) (Preview) *#04208 - 0.05MB, 1 pp. - 0.0/10 (-) - V/V/V- 4900×⇩ - Peter
Editor
Alfred Dörffel (1821–1905)
Publisher. Info.
Bach-Gesellschaft Ausgabe, Band 41 Leipzig: Breitkopf und Härtel, 1894. Plate B.W. XLI.
Copyright
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General Information
Work Title
Passio Domini nostri Iesu Christi secundum Matthaeum
Alternative. Title
St. Matthew Passion ; The Passion According to St Matthew ; Passionsmusik nach dem Evangelisten Matthäus
Composer
Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No.
BWV 244b ; BC D 3a
I-Catalogue NumberI-Cat. No.
IJB 390
Key
E minor
Movements/SectionsMov'ts/Sec's
2 parts in 68 numbers (numbering varies according to edition)
Year/Date of CompositionY/D of Comp.
1727, rev. 1729
First Performance.
1727-04-11 in Leipzig, Thomaskirche 1729-04-15 in Leipzig, Thomaskirche (repeat)
First Publication.
1894, 1972
Librettist
Christian Friedrich Henrici (1700–1764), as Picander
Language
German
Dedication
Good Friday (Parasceve)
Average DurationAvg. Duration
2 hours, 45 minutes
Composer Time PeriodComp. Period
Baroque
Piece Style
Baroque
Instrumentation
voices, 2 choruses, 2 orchestras
Voices (SSAATTBB)
First and Second Maid, Pilate's Wife (sopranos) Evangelist (tenor) Witnesses (alto, tenor) Jesus, Peter, Judas, Caiaphas, Pilate, Pontifices I and II (basses) Arias (soprano, alto, tenor bass)
Mixed Choruses (SATB/SATB)
Orchestra 1
2 flutes, 2 oboes/oboes d'amore/oboes da caccia, lute, strings, continuo
Orchestra 2
2 flutes, 2 oboes/oboes d'amore/oboes da caccia, strings, continuo
Primary Sources
Bach Digital (source list)
External Links
Wikipedia article Bach-Cantatas.com
Extra Information
Manuscript title page transcription
Misc. Comments
Passions and Oratorios (BWV 244-249) by Johann Sebastian Bach
BWV 244 Matthäuspassion
BWV 244a Klagt, Kinder, klagt es aller Welt
BWV 245 Johannespassion
BWV 246 Lukaspassion
BWV 247 Markuspassion
BWV 248 Weihnachts-Oratorium (Psalm 117)
BWV 249 Cantata
BWV 249/1 Kommt, eilet und laufet
BWV 249/2 Oster-Oratorium
BWV 249a Entfliehet, verschwindet, entweichet, ihr Sorgen
BWV 249b Verjaget, zerstreuet, zerrütet, ihr Sterne
Retrieved from 'http://imslp.org/index.php?title=Matth%C3%A4uspassion,_BWV_244b_(Bach,_Johann_Sebastian)&oldid=2553174'
Evangile Selon Matthieu
Recordings & Discussions of Other Vocal Works: Main Page | Motets BWV 225-231 | Mass in B minor BWV 232 | Missae Breves & Sanctus BWV 233-242 | Magnificat BWV 243 | Matthäus-Passion BWV 244 | Johannes-Passion BWV 245 | Lukas-Passion BWV 246 | Markus-Passion BWV 247 | Weihnachts-Oratorium BWV 248 | Oster-Oratorium BWV 249 | Chorales BWV 250-438 | Geistliche Lieder BWV 439-507 | AMN BWV 508-523 | Quodlibet BWV 524 | Aria BWV 1127
Matthäus-Passion BWV 244 Conducted by Georg Christoph Biller
Soprano: Ute Selbig; Alto: Britta Schwarz; Tenor: Martin Petzold; Bass: Matthias Weichert; Bass: Thomas Laske
Rondeau Production 4020-22
Apr 12-15, 2006
3-CD / TT: 164:05
Recorded during concerts at St Thomas Church in Leipzig (Gründonnerstag and Karfreitag = Green Thursday and good Friday). Premiere recording of the early version. 2nd recording of Matthäus-Passion BWV 244 by G.F. Biller. Buy this album at: Rondeau Production | Amazon.de
Tenor [Evangelist]: Wolfram Lattke; Bass [Jesus]: Klaus Mertens; Soprano: Christina Landshamer; Alto: Stefan Kahle; Tenor [Arias]: Martin Lattke; Bass [Arias, Pilatus]: Gotthold Schwarz:
Arte
Apr 6, 2012
Video / TT: 172:17
Filmed live at St Thomas Church, Leipzig, Saxony, Germany. 3rd recording of Matthäus-Passion BWV 244 by G.F. Biller. Watch this video at: Arte Live Web
L'evangile Selon Saint Matthieu
St Matthew Passion from St Thomas Leipzig Live on TV
Aquaria85 wrote (April 9, 2012): Friday Night the St Matthew Passion of Bach was recorded for TV from Leipzig with its famous St Thomas Choir, who celebrate its 800th birthday this year. For some month the Passion will be available at the internet page of the French-German TV Channel ARTE, even if I'm not sure if it will work everywhere: Arte Channel I can higly recomend this outstanding performance with an excelent choir and great solist. Four of five male Soloists are former choir boys from Leipzig including talentent 19yo Alto Stefan Kahle who finished school last year and is studiing singing in Basel (Switzerland) now, the Lattke brothers (both tenor and members of the A-capella-Group Amacord) and bass Gotthold Schwarz, who is voice teacher of the boys.
Douglas Cowling wrote (April 10, 2012): Aquaria85 wrote: < Friday Night the St Matthew Passion of Bach was recorded for TV from Leipzig with its famous St Thomas Choir, who celebrate its 800th birthday this year.Arte Channel> Thank you for this link! This is a marvellous performance which shows a rare glimpse of what Bach's performances might have sounded like. The entire Passion is performed in the choir loft with the singers and orchestra invisible to the audience. The recording is miked closely but we do get a sense of the feeling of intimate ensemble which such a limited space gives to Renaissance and Baroque music. It would have been fascinating to hear the performance recorded from the floor of the nave. Although it is not an OVPP performance, the orchestra is smaller than many modern ensembles. The choir is quite large but it is fascinating to hear boys in the soprano and alto parts and very young student tenors and basses. They sing this music with tremendous agility and a very mature commitment. Even the half-dozen boys of the ripieno choir soar across the double-choir and double orchestra. I found this immensely exciting and moving.
David McKay wrote (April 10, 2012): [To Aquaria85] Thanks for this. A rare instance where the result is not 'Hah ha! Go away You're Australian!
It is a great recording of a great performance of terrific music.
Beil Mason wrote (April 16, 2012): [To David McKay] Yes, I echo David's sentiments. I will have to look at arte.tv more often to see what they have to offer over time. As for this particular performance, I had reservations about a couple of the soloists, but found it greatly enjoyable overall. If there are other places on the net that offer such performances would people please post about them? This was a revelation.
Gerd Wund wrote (April 16, 2012): My favorite: http://www.youtube.com/watch?v=YUNdQ_GW9Tw Collegium Vocale and Philippe Herreweghe from Cologne 2010.
Matthäus-Passion BWV 244: Details Complete Recordings: 1900-1949 | 1950-1959 | 1960-1969 | 1970-1979 | 1980-1989 | 1990-1999 | 2000-2009 | 2010-2019 | Recordings of Individual Movements General Discussions: Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6 | Part 7 | Part 8 | Part 9 | Part 10 | Part 11 | Part 12 | Part 13 | Part 14 | Part 15 | Part 16 | Part 17 | BWV 244a | BWV 244b Systemetic Discussions: Part 1: Mvts. 1-8 | Part 2: Mvts. 9-20 | Part 3: Mvts. 21-29 | Part 4: Mvts. 30-40 | Part 5: Mvts. 41-50 | Part 6: Mvts. 51-57 | Part 7: Mvts. 58-63b | Part 8: Mvts. 63c-68 | Part 9: Role of the Evangelist Individual Recordings: BWV 244 - L. Bernstein | BWV 244 - G.C. Biller | BWV 244 - F. Brüggen | BWV 244 - J. Butt | BWV 244 - R. Chailly | BWV 244 - S. Cleobury | BWV 244 - J. Daus | BWV 244 - D. Fasolis | BWV 244 - W. Furtwängler | BWV 244 - J.E. Gardiner | BWV 244 - W. Gönnenwein | BWV 244 - P. Goodwin | BWV 244 - E.z. Guttenberg | BWV 244 - N. Harnoncourt | BWV 244 - P. Herreweghe | BWV 244 - R. Jacques | BWV 244 - H.v. Karajan | BWV 244 - O. Klemperer | BWV 244 - T. Koopman | BWV 244 - S. Koussevitzky | BWV 244 - S. Kuijken | BWV 244 - F. Lehmann | BWV 244 - G. Leonhardt | BWV 244 - P.J. Leusink | BWV 244 - E.&R. Mauersberger | BWV 244 - H. Max | BWV 244 - P. McCreesh | BWV 244 - W. Mengelberg | BWV 244 - K. Münchinger | BWV 244 - R. Norrington | BWV 244 - G. Oberfrank | BWV 244 - S. Ozawa | BWV 244 - A. Parrott | BWV 244 - G. Ramin | BWV 244 - S. Rattle | BWV 244 - K. Richter | BWV 244 - H. Rilling | BWV 244 - H.J. Rotzsch | BWV 244 - H. Scherchen | BWV 244 - G. Solti | BWV 244 - C. Spering | BWV 244 - M. Suzuki | BWV 244 - J.v. Veldhoven | BWV 244 - B. Walter | BWV 244 - F. Werner | BWV 244 - M. Wöldike Articles: Saint Matthew Passion, BWV 244 [T.N. Towe] | Two Easter St. Matthew Passions (Plus One) [U. Golomb] | St. Matthew Passion from Harnoncourt [D. Satz] | The Passion according to Saint Matthew BWV 244 [J. Rifkin] | The Relationship between BWV 244a (Trauermusik) and BWV 244b (SMP Frühfassung) [T. Braatz] | Matthäus-Passion BWV 244 - Early History (A Selective, Annotated Bibliography) [W. Hoffman] | Spiritual Sources of Bach's St. Matthew Passion [W. Hoffman] | Bach and the 'Great Passion' [D.G. Lebut Jr.] | The Genesis of Bach's `Great Passion': 1724-29 [W. Hoffman] | Early Performances of Bach's SMP [T. Braatz]
Georg Christoph Biller: Short Biography | Recordings of Vocal Works | Part 1 | Part 2 | Part 3 | Part 4 Individual Recordings: BWV 232 - G.C. Biller | BWV 244 - G.C. Biller Thomaskantors: Thomanerchor Leipzig | Gewandhausorchester Leipzig | General Discussions: Part 1 | Part 2 Table of Recordings by BWV Number
Recordings & Discussions of Other Vocal Works: Main Page | Motets BWV 225-231 | Mass in B minor BWV 232 | Missae Breves & Sanctus BWV 233-242 | Magnificat BWV 243 | Matthäus-Passion BWV 244 | Johannes-Passion BWV 245 | Lukas-Passion BWV 246 | Markus-Passion BWV 247 | Weihnachts-Oratorium BWV 248 | Oster-Oratorium BWV 249 | Chorales BWV 250-438 | Geistliche Lieder BWV 439-507 | AMN BWV 508-523 | Quodlibet BWV 524 | Aria BWV 1127